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B wddhist pediment 13th century Sandstone - 1.94 m


ថ្មភក់នាសតវត្សរ៍ទី ១៣ ថ្មភក់ - ១,៩៤ ម។ ពីរាបស្មើរទៅខាងជើងទេពផន - អង្គរ (សៀមរាប) ។ ទេសារពើភ័ណ្ឌទេ។ គ ៣២,២ រូបចម្លាក់ដែលឆ្លុះបញ្ចាំងពីឧកញ៉ានេះ pediment ត្រូវបានបែងចែកជាបីផ្នែកគឺស្ថិតនៅលើមួយកន្លែងទៀតផ្នែកខាងលើមានព្រះពុទ្ធ។ គូសរង្វង់ដោយពន្លឺដោយអង្គុយនៅវីរុនសិននិងដៃឆ្វេងរបស់គាត់ដាក់លើភ្លៅរបស់គាត់ដូងកំពុងឈរឡើង។ ហើយដៃស្តាំរបស់គាត់កាន់នៅពាក់កណ្តាលទ្រូងនិងបើកដោយកាយវិការដែលគួរអោយទុកចិត្តពីរលុតជង្គង់នៅផ្នែកទាំងពីរនៅផ្នែកកណ្តាលមានស៊េរីនៃតួលេខលុតជង្គង់និងដើមដែលជាប្រធានបទសំខាន់នៃរូបចម្លាក់នេះប្រហែលជាការបង្ហាញពីការឈ្លោះប្រកែកគ្នា Shakya នេះ។ សមាជិកនៃក្រុមគ្រួសាររបស់ព្រះពុទ្ធ។ ជាងចម្លាក់រូបចម្លាក់បានឆ្លាក់ពត៌មានលំអិតយ៉ាងខ្លីបំផុតដោយភាពជាក់លាក់និងការសម្តែងដ៏អស្ចារ្យនិងការបង្ហាញរូបភាពនៃអ្នកចម្បាំងប្រដាប់ដោយអាវុធគួរឱ្យខ្លាច។ អង្គុយនៅលើសត្វដំរី។ បង្ហាញពីអំពើហឹង្សានៃការឈ្លោះប្រកែកគ្នាព្រះពុទ្ធឆ្លើយតបដោយកាយវិការស្ងប់ស្ងាត់នៃដៃរបស់គាត់។ នាំមកនូវសន្តិភាពដល់ជំលោះមនុស្ស។ (ដកស្រង់និងថតចម្លងចេញពីសៀវភៅ KHMER ART ដោយលោកទៀដារ៉ា) ។

Khbach dok chan angkor


The Chan flower shape can be divided into great internal detail. In figure 135, the left petals of the figure have inserted hearts and show initial division (jaik), while petals on the right of the figure
show the process of c/1121'/2 by which each leaf is separated to become what can also be called a /e/m'l2. Smaller background Frontal lotus petal shapes are inserted between the Fourmain petals. Figure 136 shows more complex division of the same shape. while figure 137 shows one possible final Form with its round center divided into Four peeled back petals. Figure 138 shows another Chan flower shape with slightly smaller petals outlined by double borders. The round center OF the ornament has Your tiny’ Frontal lotus petal shapes with tips turned back; a circle of‘ fish eggs shapes ring this center on the right ofthe figure, while a circle of chauk leaves ring; this center on the lelit of the figure.

D ecoralivc linlcl Late 11th century



div style="text-align: justify;"> D ecoralivc linlc Late 11th century Sandstone — 1.38 x 0.69 m. From Prasat Pen Chun - Kompong Svay (Kompong Thom). Inventory no. C 30.19. This lintel is scanned by

Figure 30 shows a fish egg shape


Figure 30 shows a fish egg shape divided into sis- teen frontal lotus pertal shupes with peeled back tips and inserted hearts. A row of stamen ornaments surrounds the central lotus fruit heart. The larger the fish egg shape. the more types and numbers of ornaments can h combined to fill its interior with increasing amounts & detail. In figure 31, the top half of the ornament is divided into water buffalo tooth shapes, while the lower half of the ornament is divided into chuaak shapes. The heart of the ornament is a lotus flower surrounded by fish egg shapes framed by cirdes.

Figure 26 shows the initial process of the jaik on the left and the resulting output form





Figure 26 shows the initial process of the jaik on the left and the result form of the chaik process on righc. Figure 27 provides another possible section of the face of Phni Voa which shows the initial jaik process on the left and ends after the caik on the right. Figure 28 (iaik) and 29 (chaik) offer another example of how the face shaft is divided using the Kbach Phni Voa. Figure 30 shows a microparticular form of distribution that the central heart is not used as an organizational unit. The resulting leaves do not have the same part. page184


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Gallery Sculpture Angkor
















F telll between Bl’fima and Duryodhana Third quarter of the 10th









F telll between Bl’fima and Duryodhana Third quarter of the 10th century Pink sandstone — 1.89 x 2.42 rn. From Banteay Srei (Siem Reap). Inventory no. C 32.10. Kaurava, and in front of him Bhima‘s four brothers seem to From the little temple of encourage their elder brother Banteay SYEL this triangular The sculptor succeeded in pediment is decorated With an isolating Duryodhana Without undulating pitch, which frames upsetting the overall balance the typanum on which an of the composition episode of the Mahabharata IS All the figures wear the finely depicted The scene is based pleated sampot with its tumed on a skillul distribution of the down border and different triangle. the pom! of which IS ornaments sculpted with great lormed by the diagonal of elegance in this scene, the Bhima's body, readyto lump figures In high reliel seem to and that of the swing plow detach themselves from the 1 held by Balarama, the brother bare background to express of the tour-armed Krishna their Violence, their stmggle, Below the ~terrible“ Pandava is Without ever detracting from his cousin Duryodhana. the the harmonious composmon ”inv1nc1ble"chielolthe ol the whole

D ecoralivc linlcl Late 11th century






D ecoralivc linlc
Late 11th century
Sandstone — 1.38 x 0.69 m.
From Prasat Pen Chun -
Kompong Svay
(Kompong Thom).
Inventory no. C 30.19.
This lintel is scanned by two crests to pieces, and broke his
large arches of foliage ending limbs". At this point "Kéllya-
in two curves upon the arch gushing blood from all his
of which rests an atlantes lion jaws, remembered the teacher
with a floret in its mouth. In of the worlds [...| greeted him
the centre is depicted the with joy" and "went to the
story of Krishna fighting island of Ramanaka [...I At the
against the néga Kaliya, who same moment, the waters of
was disrupting the balance of the lake ceased to be
a lake in Kalindi. The waters, poisonous and took on the
poisoned by the snake's sweetness of ambrosia.
venom, were killing the birds. Krishna is assisted here by two
Krishna plunged into the garuda without arms,
waters and "the snake bit him according to the fashion of the
with rage at the sources of life eleventh century.
and covered him with his The careful workmanship of
Easel-{3:128:21 begap t0 the baphuon style and the
magenta: 2.1; h
.. . . intel contrasts somewhat with
dhrough hlS marvellous the naive frieze of birds
ance reduced the snake 5 located above the main scene.

BOOK ART KBACH KHMER








ihcm Oucen RAicndradevl whose statue in the form at the goddess Cam :5 ex?‘ Med .2: the mu

if scum — belorc leaving Hariharalaya to rside m Anglia, m a new aerial named axe.- h‘m hashes.

H harapura

At the time the royal temple stood in the cemreol'Yashodharapura nuts :25 fire Nndultrg‘x

I elevated on a sandstone pyramid. on the hill oi Phnorn oBakheng This swk‘LceIZ) 3‘1th limr’k‘

echoes Mount Meru. the abode ofthe gods and the ans ofthewodd whose ime 5:27:11 its are more~

sented by the live sanctuaries The sanctuaris house hnga, since for follow-e5 of 5mm exenth m: H

Shiva The presence 0! the gods at the heart 0! the kingdom was supposed to ensure that the km:-











dom remained Indestructible

During the reign of Yashovarman 5 sons. one oi his brothers—m-lau- secedeo‘ and rounded a

a capital some lilty miles away. on the site 0! Koh Ker He had some mater mnurrents burl: at Koh

v Ker. including the Prasat Thorn, the 'Great Temple' in 95-5. a nephew otYashosaman l, Rilendu

varman ll [944—968) reinstated the capital atAngtor The reign of Rarendravannan ll mtnexx‘z‘d ex-

tensive reforms in the administrative organisation of the kingdom At the same time the reerTmble

buildings ol the Temple oi Eastern Mebon dediated to the memory or hrs ancestors and the Rom!

Temple ol Pre Rup were founded. and the pyramid oltheTemple ol Phimanakas in the Royal p3,

lace was erected, The building of the gopura. the pavilions sluated at the entrance of the enclosure

of the Royal Palace. must have been undertaker: Matter-aids indeed the superstructures ct









these gopura echo the decoration on the pinksa'idstone Banteay Ste: temple founded in 007 by a

high Brahman dignitary, cousin to the king Banteay Srei. in its forest setting is one of the most

poetic worls of Khmer arts The museum horses Shiva. the principal idol of this temple tenderly

holding Uma on his knee

Al the beginningolthe eleventh wintryfilkmman l iiOlO—IO'SOI became hng atter detea»

ting In battle his rival to the throne, who might have been the Founder oi the la Kéo temple The

Cambodian monarchs never forgot the temple of Phu Wat. the sanctuary of their ancestors at the

time oi Chenla. sflryavarman i built glorious monumentsa the foot of the mountain and rounded

the Preah Vihear Temple at theedge oi the Bengt pineal: where he erected the statue ol the dn l:

nity of Phu Wat the 'Benevolent lord“. Healsaaarrpleted the buildngof the Temple of Humans-

has in the Royal Palace atAngkor:

After he died. his eldst son built the trad BaphOon Mantle south of the Royal Palam

Small has-reliefs illustrating episodes from the Rina-yam and the Mahabharata decorate the walls

' of this temple The scens relate thedeedsolkémaand Krishnaandthevarious themationsoflx-



" shnu. Here and there. the anotions of thesoulptoremera. such as in the scene tn which Rama do

Iicately touchs the shoulderofthe crying monkey Hagtogue bin m Atom-id me sum time m

a temple in the centre ofthearfifidal lal'etotheieadhnflu, an“! m statue ontshnu

reclining. majestic and serene. aslhoughwakingrna “SIM“ erected The bus! of the

: god.whlchhasremainedlnlaa.isoneolthewvelsdtltem

r. In “B. alter the binhota rte-dynasty. Hum nuns-15mm power by

defeating two kings SOryavar-man II is EmshhllficdteWedir-igiuwa dedicated to

: \nshnu. his favourite deity. which is probahtythe most harm creation of mm“ architecture

Bas-rellels of bards. mythlal legends. souls dhea‘ensand hells tunes oi the king himself at

court and setting outon militaryexpetfifionsnhrmlusam mmh- unbl-

dedbeforetheeysofVishnu'sdevotees Flo-evenduirgmauuwtedatnckonwhat isnovviet

nam. Sflryavannanwasabandonedbytheaiamsudmnedmdlem Msparhedoflpmtnc.

tedwars bemen the Khmers andthedtans Thedateolainmsm is not known. Like

hlspredm hemmanoahmsmmmthemummmm

Mththatofthezodhewishedtobeifintifiedvflx t

Alterthe deathdSflmvarmnfllueflb-dahodtledpedodmm W\W~

man Iiwas murdered In li65byamrpetandln [IanhlllotheChammdvassao